Wednesday, February 17, 2010

Black history Month #3 The BAY!!!!

"I like Nine Inch Nails, and I like hip-hop."

Axl Rose


Awww The Bay Area a stretch of land going from San Francisco, Vallejo, Oakland, Richmond, and surrounding area heading south to Palo Alto, Fremont, San Jose, and yeah we can even give Morgan Hill and Gilroy some love as the cut of line. Home to some of the most diverse and serious Hip Hop music ever.


Check the resume. The upper West Coast of Hip hop is home to some of the most supreme that have blessed the mic and altered the game. Del the Funky Homosapien and the whole Hieroglyphics crew (Souls of Mischief, Casual, Pep Love, etc.), Too Short, Living Legends (Murs, Grouch, Eligh, Asop (not Aesop Rock!!!), Luckyiam., Sunspot Jonez, Bicasso, etc.), Digital Underground, E-40, Mac Mall, Mac Dre (R.I.P.), Quannum (although they began from more up North in Davis, Ca they still made their music mark in areas like SF and Oakland.), the list goes on forever. Where do you think Snoop got most of his lingo from like fasheezy/fashizzle?

So to highlight a bit of the Bay Area flavor I thought these four albums would give an idea of the wide range that goes on out here. Starting with a pioneer, a legend I am talking about the one and only Todd Shaw aka Too Short and his first major label debut, remember this is the later home to Brittany Spears and Justin Timberlake, Jive Records 1987's "Born to Mack".

Hot of the success of his final underground album,1986's Raw, Uncut, and X-Rated, Jive Records signed what was at the time the nastiest man one man rapper (ONE MAN...they were called 2 Live CREW!!!! not one man crew!!!) with his use of profanity and sex. While almost primitive sounding it was one of the first West Coast albums to really showcase that bump of the Roland 808 drum machine that would later become the main ingredient in many rap albums to follow. Seriously forget Freaky Tales and go straight to Dope Fiend Beat to REALLY get yo Bay Area on!!! With its slow and deep bass sound you could almost see the seeds of Screw Music beginning to bubble under the surface. While lyrically not Too Short's best album this album bridges the gap between a young boy that just is talking nasty into a mic and the grown ass man that was teaching us pimpin' back when a certain dogg was just a puppy.




Too Short "Born To Mack" 1987

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Oakland California is the home to many thought processes amongst them is the Black Panther of Hip Hop known as Paris. Released in 1990 “The Devil Made Me Do It” on Tommy Boy Records was the final nail in the coffin of what was known as Militant Rap pioneered by Public Enemy. Minus Professor Griff's “Pawns In the Game” no other album that didn't have Chuck D or a song written by Ice Cube or Ice T scared the establishment the way this one did. The title track being banned from MTV was no real shocker but the fact it didn't stop the album from reaching in the Billboard 200 topping at number 41 said something.

If Public Enemy was the Dead Kennedy’s in terms of political issues and using satire (geez listen to 911 is a joke again!!!) then Paris was The Exploited, about a subtle as a using a sledgehammer to the face to prove a point. While he spoke of things that effected black youth in a broader way than say N.W.A. which was more accessible to everyone, his Black Nationalist ideology was a tad hard to take serious. Later his style would be lampooned by movies like CB4 and Fear of a Black Hat. Paris was a precursor to rappers like Dead Prez and Immortal Technique that would come and give the powers that be and ourselves the firm bitch slap we need every now and then. His second album Sleeping with the Enemy from 1992 and its Bush Sr. assassination implying cover that WOULD NEVER HAVE MADE IT OFF THE PRESS THESE DAYS!!!! insured Paris would never have another major label release again although he still makes some decent records still. That entire aside The Devil Made Me Do It is a great window into a time period when a young man not only said fuck the police but fuck the government! Preach brother!

Paris The Devil Made Me Do It 1990






















Everyone knows the song "I Got Five On It" from Oakland California duo the Luniz. If you don't than you need to pull your head out of your ass and hop to it cause with it's Club Nouveau sampling " Why You Treat Me So Bad" beat and infectious hook it will get you off yo ass even if you're not high. But many of y'all slept on Luniz second album 1997's Lunitik Muzik. While a big departure from the Bay sound prevailent on the first time out this one went as far as to squash beefs (Funkin' Ova Nuthin' feat Too Short), add humor (My Babby Mamma, 20 Blunts A Day), do Weird Al type parodies (Is It Kool?, Handcuff Yo Hoes), but in the middle of the East Coast/West Coast virus have a cameo from a East Coast Hip Hop artist,the funk doctor himself, Redman (Hypnotize). Nuff said.

Luniz Lunitik Muzik 1997





















And what would the bay be without a little something different than the usual burger and fries? We're talking about the land of Hieroglyphics and another crew that changed Bay Area Hip Hop, or at least your perception of what the Yay was like. I am talking about Mystik Journeymen from the collective Living Legends. In 1999 the duo of BFAP aka Sunspot Jonez and PSC aka Luckyiam.psc aka Luckyiam released an album (Black Sands Ov Eternia) that wasn't just two dudes rapping about how dope they were but rather a critique and journey through what it was like to be a young struggling artist at the height of the P-Diddy-glitzy skullduggery going on at the time. At the time this album was a blessing, gaining the Mysik Journeymen and Living Legends as a whole a larger audience, but later a curse as no album by the duo was as well crafted and caused many to wonder if the group peaked, even though solo project from both Sunspot Jonez and Luckyiam have all been top notch. Black Sands Ov Eternia also contained a song that would plague the Living Legends live sets for YEARS!!! The great posse cut "Mercury Rising". It is a perfect intro into the world of the Living Legends but if you've been in the know for a while you as sick of hearing it as they probably are of playing it...well maybe.




Elsewhere you'll find great tracks about faith in ones self, self reflection and the everyday things humans think about when at a crossroads in life. And these two chose the right paths indeed. If you think Kanye West is deep then you have the personality of a roof shingle and this isn't the album for you.


Mystik Journeymen Black Sands Of Eternia 1999

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Black history Month #2 JAZZ!!!!

Jazz. An American form of music created in the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. Well that's the laymen’s term for a music that has been misunderstood and misinterpreted for the last 20 years. Jazz music is a fashion that because it draws influences and instruments from cultures and nations of all kinds can be termed as the world's music, with diversities like Classical, Rock, Funk, and Latin influences.


Now I know artists such as Kenny G and Boney James would be considered Jazz music and yes they are, in the same way that say um Insane Clown Posse is considered rap music, bastardizations of an ever evolving musical style. Seriously most have no idea what Jazz sounds like outside of Miles Davis's seminal "Kind Of Blue" which is like a Jazz for dummies, but if only all music cliff notes sounded so damn righteous!!! But the music has many assorted sounds, styles, and players in the game.


So here are three albums by prominent Jazz musicians that will give you a broader foresight of what the music can be. No there is no Miles, Thelonious, or Coltrane that would be too easy now wouldn't it? Kinda like going on Celebrity Rehab to promote your new book that further ruins an already shattered family name for the sake of getting more drug money to keep yourself relevant in another ten years, McKenzie Phillips do you hear me????. But rather guys who are more of a musician’s type man, meaning if you ever read the credits on your albums these names would pop up on alot of stuff you have heard about knucklehead.

Now don't get it twisted these albums do not represent the full spectrum of Jazz music, but are some model examples of the possibilities of Jazz and well frankly their just good music lint licker! I mean you could just go ahead and listen to dudes who think from the elevator stylings of Kenny G but it would be like eating Olive Garden instead of an authentic Italian restaurant.


First up we have the 1976 album by jazz pianist McCoy Tyner "Fly with the Wind". His ninth with label Milestone Records and 21st overall. With this album McCoy Tyner and producer Orrin Keepnews added a string section to the arrangements to flush out a more complete sound. The band itself was packed with greats of the point in time such Billy Cobham, Hubert Laws, and Ron Carter but the addition of the orchestra was the missing link in a series of great Tyner albums' (Atlantis 1974 on Milestone Records, Trident 1975 on Milestone Records). Great track is the powerful thump of "Salvadore de Samba" but each track will find its way into your ears and stay there.






McCoy Tyner  "Fly with the Wind" 1976

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Next up we have the 1960 album that further pushed your endurance for sound tolerance and mental stability long before Bill Laswell, John Zorn, or Merzbow, "Free Jazz" by Ornette Colman. Now I could try and explain this on to you but it would be like trying to explain the Big Bang Theory, how the pyramids were built, and why people watch Harry Potter movies in one sentence. But to keep things in a technical aspect let me just show you what wikipedia.org has to say about this album that is not for the weak of heart and if you make it through the journey your ears will never be the same.


From wikipedia.org "Free Jazz: A Collective Improvisation is an album by jazz saxophonist and composer Ornette Coleman, recorded in 1960. The original release embodied a painting by Jackson Pollock, on the front of the cover, and its title gave the name for the whole free jazz movement. It involves two separate quartets, one to each stereo channel; the rhythm sections play simultaneously, and though there is a succession of solos as is usual in jazz, they are peppered with freeform commentaries by the other horns that often turn into full-scale collective improvisation. The pre-composed material is a series of brief, dissonant fanfares for the horns which serve as interludes between solos. Not least among the album's achievements was that it was the first LP-length improvisation, nearly forty minutes in length, which was unheard of at the time". For myself I think of this as a class to take after you have experienced and understand something like Miles Davis' monster work "Bitches Brew".


Ornette Colman "Free Jazz" 1960

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And last we have the 1977 album by Jazz Drummer great Roy Haynes. Once again unless you are serious about your Jazz or a drummer you probably haven't heard this name but have heard his work on albums from McCoy Tyner, Miles Davis, Chick Corea, Pat Metheny, Thelonious Monk, John Coltrane, Gerry Mulligan, Art Pepper, and Sonny Rollins. Roy Haynes is a power house on this being his 16th album as a bandleader. His band including such luminaries of the time like John Klemmer, Bobby Hutcherson, Stanley Cowell, and Ron Carter do a good job of keeping up Roy Haynes unique rhythmic approach. I recommend the track "Quiet Fire" with its Cuban-Salsa rhythms and the way Roy Haynes beats the skins authority. "Now go forth and preach the gospel"- Tony Wilson




Roy Haynes "Thank You Thank You" 1977

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Thursday, February 4, 2010

Black History Month #1

Well it's been an interesting few days. We saw that the Grammy’s still can't find a good album if it came up and smacked them on the head, seriously Kings of Leon should have had a been nominated for album of the year but at least they won for song of the year so I should pick my battles better...well maybe. And we have learned that Senator's probably get more "on the side ass" than most athletes and rock stars.




But enough of the hogwash and let's get on with it. Since February is Black History Month I thought it would be good to start off with a album that kicks ass and from a band of brothas from LA that were on the forefront of the 90's alt movement (Jane's Addiction, Nine Inch Nails, Primus) I am talking about a band that mixed Ska, Punk, Metal, and Reggae and did it right. A band that and I quote Bassist John Norwood Fisher "Live we are tighter than a mosquitoes ass!” I am talking about the mighty Fishbone and their grand opus from 1991 The Reality of My Surroundings.



For their third album Fishbone pulled no punches in the subject matter from, childhood hijinks to the debilitation of their city streets, and in the music. Everything from spoken word type tracks to the full on fun fury of songs like "Pressure", and the down home funk on songs like "So Many Millions". While the album was loved by fans and critics alike, scoring high ratings even in crappy ass Entertainment Weekly!!!, I felt it was overshadowed later that year by the monster "Blood Sugar Sex Magic" from, Fishbone buddies, Red Hot Chili Peppers.



So for my first BHM posting I give you Fishbone's The Reality of My Surroundings produced by David Kahn (Sublime) and Dave Jerden (Jane's Addiction, Alice In Chains, Social Distortion, etc)...along with this is am posting a live show from 1999 at The Boulder Theater showcasing these guys after the first band change with members drummer Philip "Fish" Fisher, guitarist John Bigham, and guitarist Kendall Jones left the band, starting the first in a cast of rotating players that more than likely hurt the creative process of the band a little. Still it's a tight performance with songs from all the albums up till that time. Enjoy!




Fishbone The Reality Of  My Surroundings 1991














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Fishbone Live At The Boulder Theater 1999

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Intro

Properties of Propaganda
Lemon Meringue
Pray to the Junkiemaker
A Selection
Ma & Pa
Just Allow
Give it Up
Sunless Saturday
Bonin' in the Boneyard
VTTLOTFDGF
When Problems Arise

I Wish I had a Date
Cholly
Housework
Question of Life
Skankin' to the Beat
UGLY
Beergut
Behavior Control Technician
Swim
Jah Jah on the Telephone
Lyin' Ass Bitch
Party at Ground Zero